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zgodbice za dušo
26.04.2004 at 09:11:30
 
tale me je spomnila na Lilith Wink Smiley



The Most Beautiful Heart


One day a young man was standing in the middle of the town proclaiming that he had the most beautiful heart in the whole valley. A large crowd gathered and they all admired his heart for it was perfect. There was not a mark or a flaw in it. Yes, they all agreed it truly was the most beautiful heart they had     ever seen. The young man was very proud and boasted more loudly about his beautiful heart.

Suddenly, an old man appeared at the front of the crowd and said,  “Why your heart is not nearly as beautiful as mine”.

The crowd and the young man looked at the old man's heart. It was beating strongly, but full of scars, it had places where pieces had been removed and other pieces put in, but they didn't fit quite right and there were several     jagged edges. In fact, in some places there were deep gouges where whole pieces were missing. The people stared -- how can he say his heart is more beautiful, they thought?


The young man looked at the old man's heart and saw its state and laughed. “You must be joking” , he said. “Compare your heart with mine, mine is perfect and yours is a mess of scars and tears.


“Yes”, said the old man, “Yours is perfect looking but I would never trade with you. You see, every scar represents a person to whom I have given my love - I tear out a piece of my heart and give it to them, and often they give me a piece of their heart which fits into the empty place in my heart, but because the pieces aren't exact, I have some rough edges, which I cherish, because they remind me of the love we shared.


Sometimes I have given pieces of my heart away, and the other person hasn't returned a piece of his heart to me. These are the empty  gouges -- giving love is taking a chance. Although these gouges are painful, they stay open, reminding me of the love I have for these people too, and I hope someday they may return and fill the space I have waiting. So now do you see what true beauty is?

The young man stood silently with tears running down his cheeks. He walked up to the old man, reached into his perfect young and beautiful heart, and ripped a piece out. He offered it to the old man with trembling hands.The old man took his offering, placed it in his heart  and then took a piece from his old scarred heart and placed it in the wound in the young man's heart. It fit, but not perfectly, as there were some jagged edges. The young man looked at his heart, not perfect anymore  but more beautiful than ever, since love from the old man's heart flowed into his. They embraced and walked away side by side.
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Re: zgodbice za dušo
Reply #1 - 26.04.2004 at 17:10:36
 
There was this museum laid with beautiful marble tiles,
>with a huge marble lady statue displayed in the middle of the lobby.
>Many people came from all over the world just to admire this beautiful
>marble lady statue.
>
>One night, the marble tiles started talking to the marble lady.
>
>Marble tile : Marble lady, it's just not fair, it's just not fair!
>Why does everybody from all over the world come all the way here just
>to step on me while admiring you? Not fair!
>
>Marble lady : My dear friend, marble tile.
>Do you still remember that we were actually from the same cave?
>
>Marble tile : Yeah! That's why I feel it is even more unfair.
>We were born from the same cave and yet we receive different
>treatment now. Not fair!"
>
>Marble lady : Then, do you still remember the day when the designer
>try to work on you, but you resisted his tool?
>
>Marble tile : Yes, of course I remember.
>I hate that guy! How could he use his tool on me, it hurt so badly.
>
>Marble lady : That's right! He couldn't work on you at all as you
>resisted being worked on.
>
>Marble tile : So???
>
>Marble lady : When he decided to give up on you and start working on
>me instead, I knew at once that I would be something different after his
>efforts. I did not resist his tool, instead I bore all the painful tools he
>used on me.
>
>Marble tile : Mmmmmm.......
>
>Marble lady : My friend, there is a price to everything in life.
>Since you decided to give up half way, you can't blame anybody who
>steps on you now."
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Re: zgodbice za dušo
Reply #2 - 06.05.2004 at 16:47:09
 
Have you walked the lonely miles, on the road that's called pain
Until you reached the saddest point, where you questioned if you're
sane.
Have you felt the ice steel grip of fear, squeezing your hear so tight
That all your days were dark, as a moonless night.
Have you lacked the inner strength or will to make it through the day
And all thoughts of tomorrow, were nothing but dismay.
Have you gone late into the night, silently praying for sleep
Drowning in the sorrow, amid the tears that you weep.
Have you screamed loudly at your God, for being so unfair
And felt bitterness towards the world, because it didn't seem to care.

Well that was yesterday, and your healing starts this day
For us to grow, sometimes pain is the only way.
Pain is the elixir, that makes us look deep inside
To face our dreaded demons, for within, there is no place to hide.
But your demons are but shadows, that fade in the light
When you accept the power of your source, and all of his might.
It may not be easy, your struggle may be hard and long
But have faith in yourself, regardless, your path is not wrong.
All roads have their landmarks, and on life's journey pain is just one
sign
Remember, happiness is life's destination, don't ever resign.





I've been living two separate lives, as two different people for so
long now, fooling everyone around me, even myself at times.
The person you see is the young woman, so full of life and energy,
living without a care in the world, cheerful, and so in control of her
life,
trusting God with her every step.
I let you see that part of me,
knowing you will accept that person for who she is
and share in her joy and happiness.
The person you don't see is the little girl,
so scared and frail, fearful of everything and everyone,
depressed, feeling so lost and confused,
questioning God's very existence.
I don't let you see that part of me,
afraid you will turn that person away
and not want to deal with her struggles and hardships.
So I live life day to day,
keeping careful track of the person I let show through,
trying to hide the little girl inside of me as much as possible.
But in all honesty, I hope that one day I slip up,
and let the little girl show through,
hoping she'll be accepted and welcomed into open arms.




Have you ever met a person
Who fulfilled you deep inside,
someone whose never failed you
And stands right at your side.
Someone who gives all they have
And brings sunshine all around,
Always smiling and laughing,
Never seeming down.

Have you ever watched a sunset
Across the ocean shore,
And been filled with love and peace,
Never needing more.
Have you ever listened to the wind
Blowing restless through the night,
And heard angel's whispers helping you
To see when you've lost sight?

Have you heard a song that moves you
And sets your soul free,
And makes you forget your anger
And makes you feel happy?

Have you ever given to someone
When you didn't have it to spare,
And feel so worthy inside,
That you didn't have a care?

Heavenly creatures surround you,
So listen closely to what they say,
They'll bring you all of life's riches,
As they guide you along your way!


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Re: zgodbice za dušo
Reply #3 - 06.05.2004 at 17:25:19
 
In the 1800s, Paganini was an emerging violinist and composer.  And his dream was to play to a packed opera house in which the audience to would jump to its feet with an ovation.  And then that evening came. It was time for his solo.  But as the musician began to draw his bow, he felt this terror and sickness in his stomach because he realized that he had grabbed the wrong violin, a far inferior one. And then deep inside himself he heard, "Play with what you've got."  And so he drew back his bow and he began to play. And he asked that even in this instrument, something might happen that would make a difference for the gift of music.  As Paganini  maximized what he had,  the audience rose to ovation after ovation after ovation. He said:  "Before tonight, I always thought the music came from my violin.  Tonight I realized the music comes from me."  Often we have thought our miracle comes from the world, when the truth is, the only miracle that's real must come through us, from that place in us where the spirit of God truly resides.  The music is within you.
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Re: zgodbice za dušo
Reply #4 - 13.05.2004 at 16:47:46
 
THE COFFEE BEAN

      A young woman went to her mother and told her about her life and how
things were so hard for her.  She did not know how she was going to make it
and wanted to give up.  She was tired of fighting and struggling.  It
seemed as one problem was solved a new one arose. Her mother took her to
the kitchen.
     She filled three pots with water and placed each on a high
fire.  Soon the pots came to a  boil. In the first, she placed carrots, in
the second she placed eggs and in the last she placed ground coffee beans.
She let them sit and boil, without saying a  word.
     In about twenty minutes she turned off the burners.  She fished the
carrots out and placed them in a bowl.  She pulled the eggs out and placed
them in a bowl. Then she ladled the coffee out and placed it in a bowl.
Turning to her daughter, she asked, "Tell me, what do you see?
    "Carrots, eggs,and coffee," she replied.  She brought her closer and
asked her to feel the carrots. She did and noted that they were soft.  She
then asked her to take an egg and break it. After pulling off the shell,
she observed the hard-boiled egg. Finally, she asked her to sip the
coffee.  The daughter smiled as she tasted its rich aroma. The daughter
then asked, "What does it mean, mother?"
    Her mother explained that each of these objects had faced the same
adversity -- BOILING WATER -- but each reacted
differently.The carrot went in strong, hard and unrelenting. However after
being subjected to the boiling water, it softened and became weak.The egg
had been fragile.  Its thin outer shell had protected its liquid
interior.  But, after sitting through the boiling water, its inside became
hardened. The ground coffee beans were unique, however.  After they were in
the boiling water they had changed the water.
    "Which are you?" she asked her  daughter.
    "When adversity knocks on your door, how do you respond? Are you a
carrot, an egg,or a coffee bean?
    "Think of this: Which am I? Am I the carrot that seems strong, but
with pain and adversity, do I wilt and become soft and lose my
strength?  Am I the egg that starts with a malleable heart, but changes
with the  heat? Did I have a fluid spirit, but after death, a breakup, a
financial hardship or some other trial, have I become hardened and
stiff?  Does my shell look the same, but on the inside am I bitter and
tough with a hardened heart?  Or am I like the coffee bean? The bean
actually changes the hot water, the very circumstance that brings the
pain.  When the water gets hot, it releases the fragrance and flavor.  If
you are like the bean, when things are at their worst, you get better and
change the situation around you.
    When the hours are the darkest and trials are their greatest, do you
elevate to another level? How do you handle adversity?

   ARE YOU A CARROT, AN EGG, OR A COFFEE BEAN?
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Re: zgodbice za dušo
Reply #5 - 13.05.2004 at 20:40:23
 
hej, a lahka še kako zgodbico dodaš? men so take ful lepe.  Smiley al pa če poveš kje jih dobiš. lp Kiss
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Re: zgodbice za dušo
Reply #6 - 13.05.2004 at 21:59:46
 

uh, na eni mailing listi sem, pa jih je začel nekdo pošiljat

mislim da še mam ene par jih na mailu, bom še kaj dodala naslednji teden Smiley
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Re: zgodbice za dušo
Reply #7 - 21.05.2004 at 12:53:50
 
Why Johnny Lingo paid eight cows for his wife
==============================================

When I sailed to Kiniwata, an island in the Pacific, I took
along a notebook.  After I got back it was filled with
descriptions of flora and fauna, native customs and costumes.
But the only note that still interests me is the one that says:
"Johnny Lingo gave eight cows to Sarita's father."  And I don't
need to have it in writing.  I'm reminded of it every time I see
a woman belittling her husband or a wife withering under her
husband's scorn.  I want to say to them, "You should know why
Johnny Lingo paid eight cows for his wife."

Johnny Lingo wasn't exactly his name.  But that's what Shenkin,
the manager of the guest house on Kiniwata, called him.  Shenkin
was from Chicago and had a habit of Americanizing the names of
the islanders.  But Johnny was mentioned by many people in many
connections.  If I wanted to spend a few days on the neighboring
island of Nurabandi, Johnny Lingo could put me up.  If I wanted
to fish, he could show me where the biting was best.  If it was
pearls I sought, he would bring me the best buys.

The people of Kiniwata all spoke highly of Johnny Lingo.  Yet
when they spoke they smiled, and the smiles were slightly
mocking.

"Get Johnny Lingo to help you find what you want and let him do
the bargaining," advised Shenkin.  "Johnny knows how to make a
deal."

"Johnny Lingo!"  A boy seated nearby hooted the name and rocked
with laughter.

"What goes on?"  I demanded.  "Everybody tells me to get in
touch with Johnny Lingo and then breaks up.  Let me in on the
joke."

"Oh, the people like to laugh," Shenkin said, shrugging.
"Johnny's the brightest, the strongest young man in the islands.
And for his age, the richest."

"But, if he's all you say, what is there to laugh about?"

"Only one thing.  Five months ago, at fall festival, Johnny came
to Kiniwata and found himself a wife.  He paid her father eight
cows!"

I knew enough about island customs to be impressed.  Two or
three cows would buy a fair-to-middling wife, four or five a
highly satisfactory one.

"Good Lord!"  I said.  "Eight cows!"  She must have beauty that
takes your breath away.

"She's not ugly," he conceded, and smiled a little.  "But the
kindest could only call Sarita plain.  Sam Karoo, her father,
was afraid she'd be left on his hands."

"But then he got eight cows for her?  Isn't that extraordinary?"

"Never been paid before."

"Yet you call his wife plain?"

"I said it would be kindness to call her plain.  She was skinny.
She walked with her shoulders hunched and her head ducked.  She
was scared of her own shadow."

"Well," I said, "I guess there's just no accounting for love."

"True enough," agreed the man.  "And that's why the villagers
grin when they talk about Johnny.  They get special satisfaction
from the fact that the islands' sharpest trader was bested by
dull old Sam Karoo."

"But how?"

"No one knows and everyone wonders.  All the cousins were urging
Sam to ask for three cows and hold out for two until he was sure
Johnny'd pay only one.  Then Johnny came to Sam Karoo and said,
`Father of Sarita, I offer eight cows for your daughter.'"

"Eight cows," I murmured.  "I'd like to meet this Johnny Lingo."

I wanted fish.  I wanted pearls.  So the next afternoon I
beached my boat at Nurabandi.  And I noticed as I asked
directions to Johnny's house that his name brought no sly smile
to the lips of his fellow Nurabandians.  And when I met the
slim, serious young man, when he welcomed me with grace to his
home, I was glad that from his own people he had respect
unmingled with mockery.  We sat in his house and talked.  Then
he asked, "You come here from Kiniwata?"

"Yes."

"They speak of me there?"

"They say there's nothing that you can't help me get."

He smiled gently.  "My wife is from Kiniwata."

"Yes, I know."

"They speak of her?"

"A little."

"What do they say?"

"Why, just....."  The question caught me off balance.
"They told me you were married at festival time."

"Nothing more?"  The curve of his eyebrows told me he knew there
had to be more.

"They also say the marriage settlement was eight cows."
I paused.  "They wonder why."

"They ask that?"  His eyes lighted with pleasure.  "Everyone in
Kiniwata knows about the eight cows?"

I nodded.

"And in Nurabandi everyone knows it too."  His chest expanded
with satisfaction.  "Always and forever, when they speak of
marriage settlements, it will be remembered that Johnny Lingo
paid eight cows for Sarita."

So that's the answer, I thought: vanity.

And then I saw her.  I watched her enter the room to place
flowers on the table.  She stood still a moment to smile at the
young man beside me.  Then she went swiftly out again.  She was
the most beautiful woman I have ever seen.  The lift of her
shoulders, the tilt of her chin, the sparkle of her eyes all
spelled a pride to which no one could deny her the right.

I turned back to Johnny Lingo and found him looking at me.

"You admire her?" he murmured.

"She ... she's glorious.
But she's not Sarita from Kiniwata," I said.

"There's only one Sarita.  Perhaps she does not look the way
they say she looked in Kiniwata."

"She doesn't.  I heard she was homely.  They all make fun of you
because you let yourself be cheated by Sam Karoo."

"You think eight cows were too many?"
A smile slid over his lips.

"No.  But how can she be so different?"

"Do you ever think," he asked, "what it must mean to a woman to
know that her husband has settled on the lowest price for which
she can be bought?  And then later, when the women talk, they
boast of what their husbands paid for them.  One says four cows,
another maybe six.  How does she feel, the woman who was sold
for one or two?  This could not happen to my Sarita."

"Then you did this just to make your wife happy?"

"I wanted Sarita to be happy, yes.  But I wanted more than that.
You say she is different.  This is true.  Many things can change
a woman.  Things that happen inside, things that happen outside.
But the thing that matters most is what she thinks about
herself.  In Kiniwata, Sarita believed she was worth nothing.
Now she knows she is worth more than any woman in the islands."

"Then you wanted--"

"I wanted to marry Sarita.  I loved her and no other woman."

"But--"  I was close to understanding.

"But," he finished softly,

"I wanted an eight-cow wife."


Condensed from WOMAN'S DAY magazine fiction feature - Nov. 1965
By Patricia McGerr

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Re: zgodbice za dušo
Reply #8 - 21.05.2004 at 16:45:26
 



To sploh niso zgodbice za dušo


mogoče samo Storys for Soul mogoče samo to  Wink




uživajte!
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Re: zgodbice za dušo
Reply #9 - 13.09.2004 at 09:22:17
 
A kindergarten teacher decided to let her class play a game. The teacher told each child in the class to bring along a plastic bag containing a few potatoes. Each potato will be given a name of a person that the child hates, so the number of potatoes that a child will put in his/her plastic bag will depend on the number of people he/she hates.


So when the day came, every child brought some potatoes with the name of the people he/she hated. Some had 2 potatoes; some 3 while some up to 5 potatoes.


The teacher then told the children to carry with them the potatoes in the plastic bag wherever they go (even to the toilet) for 1 week.  Days after days passed by, and the children started to complain due to the unpleasant smell let out by the rotten potatoes.


Besides, those having 5 potatoes also had to carry heavier bags. After 1 week, the children were relieved because the game had finally ended. The teacher asked: "How did you feel while carrying the potatoes with u for 1 week?"  The children let out their frustrations and started complaining of the trouble that they had to go through having to carry the heavy and smelly potatoes wherever they go.


Then the teacher told them the hidden meaning behind the game. The teacher said: "This is exactly the situation when you carry your hatred for somebody inside your heart. The stench of hatred will contaminate your heart and you will carry it with you wherever you go.


If you cannot tolerate the smell of rotten potatoes for just 1 week, can you imagine what is it like to have the stench of hatred in your heart for your lifetime???"

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Re: zgodbice za dušo
Reply #10 - 16.02.2005 at 17:08:46
 
Playing A Violin With Three Strings - Jack Riemer.


On Nov. 18, 1995, Itzhak Perlman, the violinist, came on stage to give a concert at Avery Fisher Hall at Lincoln Center in New York City. If you have ever been to a Perlman concert, you know that getting on stage is no small achievement for him. He was stricken with polio as a child, and so he has braces on both legs and walks with the aid of two crutches.

To see him walk across the stage one step at a time, painfully and slowly, is an awesome sight. He walks painfully, yet majestically, until he reaches his chair. Then he sits down, slowly, puts his crutches on the floor, undoes the clasps on his legs, tucks one foot back and extends the other foot forward. Then he bends down and picks up the violin, puts it under his chin, nods to the conductor and proceeds to play.

By now, the audience is used to this ritual. They sit quietly while he makes his way across the stage to his chair. They remain reverently silent while he undoes the clasps on his legs. They wait until he is ready to play.

But this time, something went wrong. Just as he finished the first few bars, one of the strings on his violin broke. You could hear it snap - it went off like gunfire across the room. There was no mistaking what that sound meant. There was no mistaking what he had to do.

We figured that he would have to get up, put on the clasps again, pick up the crutches and limp his way off stage - to either find another violin or else find another string for this one. But he didn't. Instead, he waited a moment, closed his eyes and then signalled the conductor to begin again.

The orchestra began, and he played from where he had left off. And he played with such passion and such power and such purity as they had never heard before.

Of course, anyone knows that it is impossible to play a symphonic work with just three strings. I know that, and you know that, but that night Itzhak Perlman refused to know that.

You could see him modulating, changing, re-composing the piece in his head. At one point, it sounded like he was de-tuning the strings to get new sounds from them that they had never made before.

When he finished, there was an awesome silence in the room. And then people rose and cheered. There was an extraordinary outburst of applause from every corner of the auditorium. We were all on our feet, screaming and cheering, doing everything we could to show how much we appreciated what he had done.

He smiled, wiped the sweat from this brow, raised his bow to quiet us, and then he said - not boastfully, but in a quiet, pensive, reverent tone - "You know, sometimes it is the artist's task to find out how much music you can still make with what you have left."

What a powerful line that is. It has stayed in my mind ever since I heard it. And who knows? Perhaps that is the definition of life - not just for artists but for all of us.

Here is a man who has prepared all his life to make music on a violin of four strings, who, all of a sudden, in the middle of a concert, finds himself with only three strings; so he makes music with three strings, and the music he made that night with just three strings was more beautiful, more sacred, more memorable, than any that he had ever made before, when he had four strings.

So, perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.




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Re: zgodbice za dušo
Reply #11 - 16.02.2005 at 17:13:44
 
What Makes a Person Rich?

One day a father of a very wealthy family took his  son on a trip to the country with the firm purpose of showing his son how  poor people live. They  spent a couple of days and nights on the farm of  what would be considered a very poor family.

On their return from their trip, the father asked  his son, "How was the trip?"  " It was great, Dad."

"Did you see how poor people live?" the father asked.  "Oh yeah," said the son. "So, tell me, what did you learn from the trip?" asked the father.

The son answered: "I saw that we have one dog and they had four. We  have a pool that reaches to the middle of our garden and they have a creek that has no end. We have imported lanterns in our garden and they have the stars at night. Our patio r eaches to the front yard and they have the whole horizon. We have a small piece of land to live on and they have fields that go beyond our sight.  We have servants who serve us, but they serve others.

We buy our food, but they grow theirs. We have walls around our property to  protect us, they have friends to protect them."

The boy's father was speechless.  Then his son added, "Thanks, Dad, for showing me how poor we are."

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Re: zgodbice za dušo
Reply #12 - 25.04.2005 at 15:36:34
 
Ponesto o nebitnom..
cgocable.net - 17. april 2005. u 23.31 (*.cgocable.net)

„Ko se seli taj se ne veseli”,selih se po ovoj Kanadi dovoljno da imam još barem tri zivota i svaki put se ponesto ostavi i odbaci ali neke stvari izgleda da će nadziveti sve neprilike i ostati u najtezim trenutcima da nas osokole da je bilo i ima i valjda negde i biće još takvih...pa ova pricu, pishem tebi,ako prepoznash nešto iz svog zivota,tuzni citaoce iz tudjine.
Kod nas se u kuci ništa nije bacalo i moja majka je znala od ničega da napravi svasta, jednom je od nekog ocevog braon vunenog dzempera koji je on već iznosio isplela neke carape,da se ne baci jer „greo'ta je...”
I tako, imao sam ja tih carapa, kod nas se nose iako su čini mi se naše zime toplije nego ovdasnje,nekad i po dvoje, ove samo kad se obuku greju
tako da nikad nema zime. Kad se odlazio u beli svet, spremila mi tri para
ovih,braon,ne znam dal'su od iste vune, iste su boje, „da mi se nadje tamo,u tim Kanadama, tamo su jake zime, nemoj da mislis da ti neće trebati, tamo će ti sve trebati i svaki dinar je zauvar, sem toga, NEMA TAMO ISTIH...”
I nema, mada ih nikad nisam nosio. Iz kuce u auto, po najvecoj zimi ih nisam nosio, slabo se ovde hoda i do preko puta.
I svaki put kad se selih,ostavljao sam stvari,mnogo vrednije, vishe placene,davao na mesta gde će ih dobiti beskucnici,ali ove se vukle uvek tu negde po nekim mestima tek da se slučajno ne izgube, tek da se zna, „možda će zatrebati...”
I sve nešto mislim,možda će mi to biti jedino sto mi je ostalo od nje, setivshi se umornih ociju i naboranih suvih ruku, kao grana, koje ne znaju za kreme i „pomade”,a ipak su mekse od najbolje svile...
Koliko su prale, šta su radile, koliko su stvari znale da naprave koje
ni ja ni moj niko nikad neće znati, makar da ovo sto imam ostavim tu, da imam kao amajliju za neka druga vremena, da se prisetim blagosti...

Kad odlazimo i vracamo, nerado nosimo i donosimo drugima poklone,uglavnom da ne prihvatimo obaveze jer vremena je uvek malo.
Tako dobih, taman koliko je red, paket zapakovan u kutiju „multi graina”,od 32 table koji sam joj kupio ovde, da casti bratovu decu.
Dvadeset i nešto sa deset santima, šta li je tu stalo?
„Baton”, napolitanke, tri cokolade „Milka”, pismo,nevesto napisano, najdraze,knjiga o familji, da posaljem tetki u Amerike,dve malene kese
kafe (da ne reklamiramo marku),bombone „Lemon”, napisano cirilicom,Herba bombone, jedne zvake!!!6 „Nivea” sapuna iz Madjarske,od tih se posebno sushi koza, to nisam ni znao dok nisam doshao u Kanadu, u dnu zamotano u pet papira i zalepljeno sa deset lepljivih traka, novaca taman koliko za rođendan, uz poruku...isti one novcanice koje sam joj dao kad je bila ovde prošle godine...još ponesto i tri para carapa...
Znam, stavila bi ona i srce u tu kutiju od dvadeset i nešto sa deset santima, samo je srce vece od svih paketa,kofera i aviona, ne bi stalo ni za barem tri zivota...
I lepo je osetiti se kao dete, koliko god da vam je godina, lepo je znati da ste i vi, tako odrasli nekome vazniji od realnosti da vam ništa od toga zaista ne treba.
Mada i to, sto nam se učini da nam zaista treba,koliko god bolje i lepse da jeste,zaista, nema onu dushu kojom me gledaju ove stvarcice rasute po mom stolu. Čini mi se kao da sam se vratio u davna,topla vremena koja vishe ne postoje. Zato odlucih, da uramim carape umesto ikone i klanjam im se da ne bih zaboravio odakle sam stigao.
Jedno sigurno znam, ako andjeli nose carape, nosice jednog dana potpuno iste...


http://www2.serbiancafe.com/lat/diskusije/mesg/18/005771934.html?5
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Nobena čarovnija ne more ničesar spremeniti v kaj drugega, tega ni; sprememba v predstavi v srcu čarovnije je spoznanje, ne ustvarjanje.&&(S. Palwick)
 
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